Performance Improvisation
Writings and other musings from Penny Campbell and Friends
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Biographical Sketch
Biography, long
Judith Dunn and Bill Dixon
Judith Dunn Lackowski: Dancer/Choreographer
Aphorisms
Photographs
Raps
Why not “improv?”
Plateau(x)
Laughter
Large Ensembles, Scores, Habits
Thinking, Knowing, Text
Bored and Boring
Both/And: Collectivity and Individual Agency; Ensemble and Solo
Riding the Wild Ephemerid
Preface: Writing Improvisation
Chapter 1: Day One, Arriving
Chapter 2: Day One, Begin Standing
Chapter 3: Solos, Duets, Autonomy
Chapter 4: Seeking Ensemble
Chapter 5: First Dance
Chapter 6: Beginnings
Chapter 7: Single-minded Dancer
Some basic principles
Basic Principles
“Impulse alone is not a legitimate compositional choice”
Objectives and Notions
the Soloist
At the beginning. . .
Everything is material
Technique Training
An Ensemble of Musicians and Dancers: a virtual workshop in Performance Improvisation
The Warm-up Score
Don’t Say “No”
On a scale of 1 to 10. . .
Voices from the Past
from “Black Music: an interview with Bill Dixon”
“…a world of dialectical excitement. ..” January 27, 1995
Judith Dunn: Notes to Students (1968)
Celebrating Peter B. Schmitz
Technique Training
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